Tech Marries Music at IRCAM
Art has always had an interesting relationship with technology. When Edison invented the phonograph and made the first sound recording he envisaged it being used primarily for recording dictation in offices but inadvertently spawned a musical and creative revolution. Today the mecca for the development of this relationship between technology and music is found in Paris.The Institute of Research and Coordination of Acoustics and Music, a stones throw away from the Centre Pompidou on the aptly named Place Igor Stravinsky takes its position as educator very seriously.
It holds numerous talks throughout the year, runs prestigious post-graduate courses and offers training in computer assisted composition, real time processing and sound design.
It holds numerous talks throughout the year, runs prestigious post-graduate courses and offers training in computer assisted composition, real time processing and sound design. Since its opening in 1977 IRCAM has provided technical support to many big names of contemporary music such as John Cage (pictured), Karlheinz Stockhausen and Terry Riley. Its multimedia library contains almost 1,000 hours of recorded music and over 2,000 online scientific articles, in addition to its physical collections of sheet music and books.
IRCAM’s 2009/10 concert season kicks off this month and is a rare opportunity for anyone in Paris to hear the latest marriag
es between cutting edge technology and music. First up is Jacques Lenot’s mammoth work Il y a, which promises to ‘suspend 84 virtual musicians from the heights of St Eustache church’. It begins on the 21st of September with a final symphonic rendering in four movements on Tuesday 29th at 9pm.
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