Paris, the capital of la vie de bohème! The city where artists love and starve together, shock the bourgeoisie, then die tragically young. These myths were set in motion in 1843 by a magazine series called Scenes from a Bohemian Life. They were tales from a hard-up poet named Henri Murger that revealed his own daily struggles as well as those of his friends. Murger’s stories became a book as well as a hit play (one that later inspired Puccini’s opera La Bohème), and their popularity brought Paris a wave of would-be artists. By the mid-1800s students had flooded into the capital, each determined to become a “bohemian.” One of them, however, did more than outstrip Murger’s models—he completely redefined youthful decadence. This was Arthur Rimbaud, the subject of a trendy Marais exhibition,“Rimbaudmania: The Eternity of an Icon,” at the Galerie des Bibliothèques, in the Bibliothèque Historique de la Ville de Paris.

In 1871, at the age of 17, this well-schooled Catholic boy made a beeline for Paris. He was keen to reject both family and sobriety, and his search for urban experience led to stormy affairs (most notably with the poet Paul Verlaine, who left his wife and child for Rimbaud, whom he fought with and shot at). But despite his dissolute life, Rimbaud penned sentiments that caused no less than Victor Hugo to call him “an infant Shakespeare.” Rimbaud’s volumes The Drunken Boat, A Season in Hell and Illuminations endure as cornerstones of his bad-boy philosophy: art requires a “systematic derangement of the senses.”
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